Jāti: Birth
Jāti is birth, counted first among the things that hurt. Her hour arrives carrying pain on one side and a child on the other, one event with two faces. Spoken to men who will watch their teacher taken away before morning, it sets their grief inside a labor, something with an end and something delivered at that end. Sorrow and joy both hang on the single arrival.
Khanti: Patient endurance
Khanti is the strength to bear what cannot be hurried. Nothing in the room can lift the pain off her or shorten the hour; the only way out is through, the way a storm has to blow itself out. She holds her place inside it, and that holding is the work that brings the child.
Anicca: Impermanence
Anicca is the passing nature of anything that arises. Her anguish ends because the conditions propping it up ran out, the way weather ends. Her time comes and her time goes under the same rule, which is how a night that felt endless leaves so little of itself by morning. The pain needed no defeating, only its own length.
Vedanā: Feeling tone
Vedanā is the pleasant or painful tone in each moment of experience. Gripped and crying, then holding a warm weight in her arms: the tone swings the whole way across inside an hour, in one body, on one bed. Forgetting the anguish is what a feeling does when it is allowed to finish, a strong tone running out and leaving nothing stored behind it.
Muditā: Gladness at another's good
Muditā is joy over someone else's good fortune. Her gladness is for the child, a person who was not in the world an hour ago and now is, so her own relief turns out to be the smaller part of it. Everyone leans over the crib for that same reason, which is how joy of this kind fills a room instead of staying in one chest.