Parideva: Lamentation
Parideva is grief that comes out loud. Eyes failing with tears are eyes that have wept until the well ran dry, and still the crying goes on over broken walls and a burned city. Nothing is repaired by the weeping, and it is honest for that reason: it is the sound a person makes standing in front of what cannot be undone.
Vedanā: Feeling
Vedanā is the painful or pleasant tone any moment carries. Sorrow here has weight in the flesh: eyes burning out, the chest churning, the liver tipped over like a bucket and spilled across the ground. Grief lands in the body before it reaches the mind, and letting the ache be an ache, without piling blame or bargaining on top of it, is where steadiness starts.
Piyehi vippayoga: Separation from what is dear
Piyehi vippayoga names the ache of being parted from what you love. Calling a whole people "the daughter of my people" is how a parent speaks, and that tenderness is precisely what the loss now costs; the closer the tie, the deeper the cut. Loving the city and grieving the city arrive in the same package, and the poet is paying the second half of a bill he was always going to receive.
Karuṇā: Compassion
Karuṇā is the quiver in the chest when someone else is hurting. The eyes, the heart, the liver all give way over other people: young children and infants going faint in streets that should be full of their noise. Compassion of this size costs something, and the spilled liver is the price of a heart that stayed open to a starving city instead of looking away.
Saṃvega: The shock that wakes you
Saṃvega is the jolt that comes when ground you counted on gives way. Streets where children ran errands now hold them collapsing, and a city that looked permanent last year lies in rubble this year, so there is nowhere solid left to set your feet. That shock can curdle into despair or sharpen into urgency, and choosing to keep speaking, to keep naming exactly what is in front of him, is the second road.