Anicca: Impermanence
Whatever is put together comes apart, cedar and cut stone included. The first house stood through a lifetime and ended as the rubble these men had to clear before a new foundation could go down, and the stones being set now are on the same road, only earlier along it. Laying a floor is laying something that will one day be lifted again.
Saññā: Perception
Perception works by matching what stands in front of you against what you already carry. The old men look at this trench through the first house, and the new work comes out small by that measure; the same course of stone is a ruin to one man and a beginning to another. Sixty years of storage in the mind decide what a morning looks like.
Piyehi vippayoga: Separation from what is dear
Parting from what you love is one of the plain sufferings. These men lost more than a building when the city burned: the courts where their fathers had stood at the feasts went down with it, and they carried that loss the whole way through exile and back. Tears at a foundation are tears for the first house, which no amount of fresh masonry returns.
Vedanā: Feeling tone
Contact arrives already flavored pleasant or painful, ahead of any thought about it. One trench, one morning, and the identical sight lands as grief in the gray heads and gladness in the men beside them, each response honest to what it met. Nothing in the stones settles which way it falls; the flavor comes from what each man brings to the looking.
Pīti: Gladness that lifts the body
This kind of joy rises through the body and spills out loud. Men who have watched an empty hill for a generation see the first course go down and know the altar will stand there again, and the shout is out of them before they choose to make it. Strong gladness brings tears of its own, which is why from a little way off no one could tell the two sounds apart.